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Jiha Moon

Foreign Love, 2013 Ink, acrylic on Hanji 58 × 41 in

Craig Drennen

The Actors Names, 2011, oil, alkyd, aluminum foil on canvas, 92 x 78 inches

Alejandro Aguilera

Flags Sailor, 2011, ink, coffee, and crayon on paper

SALTWORKS

SALTWORKS is a contemporary art gallery in Atlanta, GA. We specialize in building art collections with the work of innovative and compelling contemporary artists.

Staring at the Sun // Artforum.com Critic’s Pick

ARTFORUM

We are delighted to announce that our current exhibition 
has received an Artforum.com Critic’s Pick review!

Staring at the Sun
April 26 - June 14, 2014

This exhibition, curated by Craig Drennen, features four painters who reconceive abstraction’s relationship to the structure of the pictorial plane. Here the surface appears as a flattened spatial arena, a digital transparent layer, a supporting material structure, and finally as an obstacle to be overcome.

Lauren Silva’s works stay closest to a traditional understanding of the pictorial veneer as defining a space to be explored. Her larger canvases boil surrealist landscapes down to their elements, while her smaller works on paper center on Microsoft Paint–like scrawls rendered in meticulous liquid strokes of bright pink and green. Rather than working within the frame, Bonnie Maygarden strives to fuse real surfaces with virtual ones. Her perfectly shadowed expanses of folded and crumpled materials feel solidly three-dimensional, as if their shapes were impressed on the canvas itself. Their transparent facades echo digital visualization: Works like Grid I, 2013, probe the limits of the screen’s resolution by cramming each pixel-like square with an impossibly dense arrangement of details.

Surfaces exist primarily as supports in Eleanor Aldrich’s quasi-sculptural paintings, which bulge with crude simulacra of real objects, such as lawn chairs made from gloopy strings of epoxy. Her Fat Boxes, 2012, protrude like strange invaders that can find a home neither inside nor outside the frame. These failed objects are simultaneously queasy, comic, and slightly ominous. Finally, the pictorial exterior is punctured, torn, and cut in Jane Fox Hipple’s works, which exhibit various forms of penetration and erasure. Their purple and gray palette recalls the color of old bruises. Abstraction manifests as violence in Positive Thought / Negative Thought, 2014, a black canvas with an excised rectangle in its center surrounded by ragged wounds. Mounted with its face to the wall in a pose of shame or contempt, it leaves whatever provoked its mutilation a mystery. When the potential of surfaces is exhausted, all that is left is their destruction.  

— Daniel A. Weiskopf

A few questions with Craig Drennen in the Creative Loafing.
On April 26, Saltworks Gallery will open a group exhibition in the Westside’s White Provisions Building. Curated by Craig Drennen, Staring at the Sun brings together four emerging artists, Jane Fox Hipple, Eleanor Aldrich, Lauren Silva and Bonnie Maygarden and their different views on abstraction - all showing in Atlanta for the first time.
Image: Eleanor Aldrich, TV, 2014, mixed media on panel, 18 x 24 inches.

A few questions with Craig Drennen in the Creative Loafing.

On April 26, Saltworks Gallery will open a group exhibition in the Westside’s White Provisions Building. Curated by Craig Drennen, Staring at the Sun brings together four emerging artists, Jane Fox Hipple, Eleanor Aldrich, Lauren Silva and Bonnie Maygarden and their different views on abstraction - all showing in Atlanta for the first time.

Image: Eleanor Aldrich, TV, 2014, mixed media on panel, 18 x 24 inches.

"Characters" by Craig Drennen | Gallery 180 Opening Reception

Craig Drennen, Hello From Home Of The, 2014, oil, alkyd, pencil, crayon on canvas (2 panels), 96 x 96 inches

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